十多年前，梁詠琪的電影，雖然也許不是每部票房厘想，不過至少偶有不俗之作，可是近年她所演員的電影，卻予人爛片的保証。
梁詠琪自零五年過後，有分參演而又在港上映的電影接近十部，當中包括零六年的《春田花花同學會》、零七年的《棒子老虎雞》、《女人．本色》及《魔法小葫蘆》、零八年的《內衣少女》、零九年的《愛得起》、一零年的《越光寶盒》，而今年至今上映的則有《傾城之淚》及《嫁個100分男人》。
不過，倘若細心去看上以片目的話，不難發現絕大部分演出的電影，都屬於以內地市場為主導的合拍類型，部分電影如《棒子老虎雞》更在香港上映得無聲無息，而這類合拍片的水準也令人搖頭嘆息。
看到昔日表現不俗的梁詠琪如今的電影水準「淪落」到這個地步，實在令人無奈。
Keung
就算昔日表現不俗 但根本當時梁詠琪都不太受歡迎
形象一直頗為負面
只剩下D內地片搵
所以就搞成這樣
Ken Resurrected
Her image was negative only because of Ekin Cheng. Despite that, she still has box office clout up until 2004, but after 2004, who really did not suffer a career freefall? Sammi Cheng and Miriam Yeung, all comparable singer turn actresses, also suffer decline in box office drawing power, but just for some reason, Gigi crashed much harder despite some talents as one of HK’s few singer-composer, and basically she completely give up the Hong Kong market, even her singing career.
《女人．本色》wasn’t really that bad a movie, it did receive some positive reviews in 2007, but it was just poorly marketed and wrongly titled. Gigi’s co-star Fiona Sit later would do much better commercially with THE BREAK UP CLUB from the same director of 《女人．本色》.
It will be very hard for her to regain her local market strength. Marrying a westerner is never a smart decision to hold on to Chinese fans, and sooner or later Gigi might even jeopardized her own fanbase in the mainland. But given Gigi’s character and inner beauty, I am sure she can cope with her fading stardom and live a maturing but happy life.