周末票房基本走勢上跟周四大致相同，不過周本在入場上十分理想，收入上較周四票房上升一倍，但票房爬升分佈則個別發展。
霍士發行的《黑天鵝》在開畫票房表現理想下，周末獲增場達三分之一，周日於49院映281場，結果每場人次達到一百，票房升幅逾一倍二，也為電影於四天累積達543萬。《黑天鵝》是今年奧斯卡女主角大熱主演，故此能吸引觀眾入場，且看現在獲獎後會對其票房有多少幫助，相信可望於中期衝破千萬。
同日開畫由華納發行的《驅魔殿堂》雖然周日獲增場約百分之五，可是票房爬升上卻不太理想，於33院映172場下爬升不足三成，每場人次更是四部開畫新片之末，令電影在四天累積未達二百萬。《驅》片票房不佳存在不少因素，當中宣傳期不足、演員整體吸引力不大，對相關素材看厭都有其影響，看來繼後只能以三百萬至四百萬為目標。
泛亞發行的日本電影《宇宙戰艦大和號》雖然周末增加不多，不過周日於22院映114場下，票房爬升比率仍有九成。電影雖然在港評價並不理想，但在粉絲向之下仍能吸引渴求動漫或男主角木村拓哉的觀眾，也為電影於四天累積接近百五萬，相信票房暫以三百萬為目標。
洲立與聯合發行奧斯卡提名電影《離奇復仇事件》周日略作加場後於八院映42場，結果票房爬升約八成半，每場人次亦接近60，成績其實不下於本周開畫的主要電影，而電影在四天間也累積近51萬，以香港向來不太的美國西部題材而言，絕對是在預期之上。
上周票房冠軍《潛行深淵》雖然跌至亞軍，不過周日票房爬升上仍達一倍二，周日獲增場逾一成後於37院映210場，錄得近萬四人次，而電影累積11天已達1,753萬，相信可望衝破二千萬大關。愛情電影《枕邊冇情人》與《我知女人心》周日分別映67場及91場下，分別錄得近二千八及千八入座，累積則分別達482萬及320萬，前者可望於兩周映期衝破五百萬，後者則且看能否達至四百萬水平。至於奧斯卡另一提名電影《127小時》累積18天達647萬，周日於25院映54場票房爬升倍半，未知會否跟奧斯卡效應有關。
Rat
如果潛行深淵過到魔幻王國3的數字就隨時KO今年的賀歲片冠軍
Ken Resurrected
SANCTUM is a huge box office over-achiever, but most importantly, at least enough HK audiences like what they see and the word of mouth was not that destructive. To think it can beat the grosses of the highest grossing CNY movie is questionable. Remember, it did decline by more than 50% on its second week.
Lack of competition (more than being an Oscar fare) is also helping BLACK SWAN and 127 HOURS. It is great to see high quality movies being embraced by HK movie-goers, and it will be delightful to see SWAN gross more than HK$12 million. Lots of mediocre Hollywood big-budgeted movies finish with around HK$10-12 million in the HK market anyway.
Scary/horror thrillers often have frontloaded demand in North America, and seems like the same for the HK market, as witnessed by THE RITE (驅魔殿堂)’s lack of momentum. Think the last example of a good horror movie with decent reviews and momentum is ORPHAN.
TRUE GRIT is poised to gross more than HK$1 million, a very good figure. I wonder how BLUE VALENTINE is performing now.
XYZ
估計《黑天鵝》收過1500萬，奧斯卡最佳女主角，加上簡單易明的劇情、女性觀眾必定捧場。
Ken Resurrected
BLACK SWAN seems to be having very strong legs, if estimated attendance on wmoov is accurate, so it should top HK$10 million with ease, and HK$12 million is within reach now.
This is a great example of how we can relate North American box office performance and critical reviews for the purpose of comparison and forecasting.
shtmanhk
宇宙戰艦大和號 首4日累積票房比有假期效應的20世紀少年2 更理想
首4日累積票房(首周日單日票房):
20世紀少年 248萬(73萬)
20世紀少年2 127萬(?萬)
20世紀少年3 82萬(?萬)
宇宙戰艦大和號 150萬(?萬)
shtmanhk
我知女人心 ‘後勁’比不上未來警察
首11日累積票房(單日票房):
奇異旅程 –萬(–萬)
1/2次同床 358萬(?萬)
天下無賊 376萬(33萬)
未來警察 319萬(?萬)
———————-
我知女人心 321萬(?萬)
shtmanhk
驅魔殿堂首4日累積票房不過不失,合乎同類水平.
首4日累積票房(首周日單日票房):
康州驅魔實錄 300萬(?萬)
孤疑 289萬(?萬)
猛鬼街 265萬(?萬)
1408 214萬(59萬)
鬼差 189萬(53萬)
REC2 183萬(?萬)
驅魔人前傳 180萬(30萬)
靈時三點三 180萬(44萬)
凶鏡 177萬(47萬)
害匙 163萬(53萬)
午夜靈異錄像 148萬(?萬)
鬼王再生 148萬(34萬)
魔鬼屍餐 145萬(36萬)
恐怖靈訊 113萬(28萬)
地獄巫門等你來 108萬(?萬)
七夜冤靈 101萬(25萬)
娃鬼怪嬰 97萬(24萬)
午夜來嚇 81萬(?萬)
異度見鬼 75萬(19萬)
奪命咒 72萬(19萬)
咒怨2 69萬(?萬)
鬼迷剎瑪莉 66萬(15萬)
遺言信箱 65萬(16萬)
咒怨 62萬(18萬)
夜半鬼開門 51萬(11萬)
雨夜閃靈 50萬(12萬)
———————-
驅魔殿堂 193萬
Ken Resurrected
But we all know 未來警察 did benefitted from the 4 Newport Theatres inflated estimates. Ryan pointed that out too.
I really think there is no need to intentionally downplay Andy Lau’s drawing power just from the performance of 我知女人心, but not give any mentioning of
狄仁傑之通天帝國 or 新少林寺.
It is very obvious that Andy Lau’s box office performance has been quite inconsistent in many other genre, but in doing ancient themed movies, his record is still pretty solid so far.
shtmanhk
潛行深淵 和 小人國大歷險 皆是北美失收本地大收,近來北美3D片票房及評論出現反彈,但本地仍甚受追捧(近日大部份六大 studio 3D片本地皆逾千萬),兩地口味有異可見一斑.
首11日累積票房:
阿凡達 4838萬
愛麗絲夢遊仙境 2948萬
小人國大歷險 2765萬
地心探險記 1923萬
人．神．魔戰 1907萬
生化危機3D 1687萬
舞出真我3D 1299萬
創戰紀 1275萬
死神４來了 969萬
變種食人倉3D 824萬
——————–
潛行深淵 1757萬
shtmanhk
以《枕邊冇情人》的質數符合同等級影片水平, 《我知女人心》符合劉華低收影片水平.各不相干,殊途同歸.
首11日累積票房:
色慾都市 1027萬
色慾都市2 892萬
求婚的惡魔 889萬
緣滿情人節 817萬
媽媽咪呀 755萬
穿prada的惡魔 691萬
愛情戀上癮 675萬
緣份精華遊 645萬
馬利與我 600萬
冧歌有情人 599萬
單身大急救 511萬
一夜賭城戀大咗 501萬
留給最愛的情書 493萬
新娘愛鬥大 420萬
27宜嫁 407萬
再單身遊記 374萬
收錯愛情風 344萬
潮拜購物狂 344萬
伴娘先生 294 萬
———————–
枕邊冇情人 482萬
shtmanhk
《黑天鵝》除了吸引女性觀眾捧場,片中的軟性色情及骨子裡女人受男人操控的父權思維也令男性觀眾感覺良好.
英語片受惠奧斯卡效應比日片更厲害,一百萬零一夜首4日累積票房扣除優先埸50萬約721萬,比黑天鵝 收多230萬,且看首8日累積票房差距會否收窄?
首3日累積票房(首周六單日票房):
咫尺閃靈 272萬(126萬)
首4日累積票房(單日票房):
一百萬零一夜 771萬(57院239萬)
黑天鵝 545萬,49院281場
Ken Resurrected
Again, your analysis is biased.
You failed to mention that some of the worst performing 3D movies screened in North America like MY SOUL TO TAKE or ALPHA AND OMEGA wasn’t even screened in Hong Kong, but do you think they have a chance to succeed in Hong Kong?
We can now take for granted that any decently marketed or scheduled 3D movie should be able to at least reach HK$10 million, due to inflated ticket prices, but one must realized many of those grosses were aided by plum release dates like CNY (GREEN HORNET), Christmas (GULLIVER’S TRAVELS), Easter (CLASH OF THE TITANS), Summer (STEP UP 3D) etc.
潛行深淵 (SANCTUM) is definitely the first true example of a hugely successful marketing story for a HK opening 3D movie, and I think it is hard for any other 3D movie in the future to top this feat.
Since SANCTUM is not performing that exceptionally in other markets, it is purely a HK success story.
Unfortunately, there are a lot of bad lessons learned from this.